2008北美10本最佳图书

《纽约时报》书评专栏的编辑们在评选出2008年100本最佳图书之后,又从其中筛选出10本最佳,以飨读者。列表如下:FICTION(虚构类)

DANGEROUS LAUGHTER
Thirteen Stories
By Steven Millhauser.

In his first collection in five years, a master fabulist in the tradition of Poe and Nabo­kov invents spookily plausible parallel universes in which the deepest human emotions and yearnings are transformed into their monstrous opposites. Millhauser is especially attuned to the purgatory of adolescence. In the title story, teenagers attend sinister “laugh parties”; in another, a mysteriously afflicted girl hides in the darkness of her attic bedroom. Time and again these parables revive the possibility that “under this world there is another, waiting to be born.”

A MERCY
By Toni Morrison.

The fate of a slave child abandoned by her mother animates this allusive novel — part Faulknerian puzzle, part dream-song — about orphaned women who form an eccentric household in late-17th-century America. Morrison’s farmers and rum traders, masters and slaves, indentured whites and captive Native Americans live side by side, often in violent conflict, in a lawless, ripe American Eden that is both a haven and a prison — an emerging nation whose identity is rooted equally in Old World superstitions and New World appetites and fears.

NETHERLAND
By Joseph O’Neill.

O’Neill’s seductive ode to New York — a city that even in bad times stubbornly clings to its belief “in its salvific worth” — is narrated by a Dutch financier whose privileged Manhattan existence is upended by the events of Sept. 11, 2001. When his wife departs for London with their small son, he stays behind, finding camaraderie in the unexpectedly buoyant world of immigrant cricket players, most of them West Indians and South Asians, including an entrepreneur with Gatsby-size aspirations.

2666
By Roberto Bolaño. Translated by Natasha Wimmer.

Bolaño, the prodigious Chilean writer who died at age 50 in 2003, has posthumously risen, like a figure in one of his own splendid creations, to the summit of modern fiction. This latest work, first published in Spanish in 2004, is a mega- and meta-detective novel with strong hints of apocalyptic foreboding. It contains five separate narratives, each pursuing a different story with a cast of beguiling characters — European literary scholars, an African-American journalist and more — who all converge in a Mexican border town where hundreds of young women have been brutally murdered.

UNACCUSTOMED EARTH
By Jhumpa Lahiri.

There is much cultural news in these precisely observed studies of modern-day Bengali-Americans — many of them Ivy-league strivers ensconced in prosperous suburbs who can’t quite overcome the tug of traditions nurtured in Calcutta..With quiet artistry and tender sympathy, Lahiri creates an impressive range of vivid characters — young and old, male and female, self-knowing and self-deluding — in engrossing stories that replenish the classic themes of domestic realism: loneliness, estrangement and family discord.

NONFICTION(非虚构类)

THE DARK SIDE
The Inside Story of How the War on Terror Turned Into a War on American Ideals
By Jane Mayer.

Mayer’s meticulously reported descent into the depths of President Bush’s anti­terrorist policies peels away the layers of legal and bureaucratic maneuvering that gave us Guantánamo Bay, “extraordinary rendition,” “enhanced” interrogation methods, “black sites,” warrantless domestic surveillance and all the rest. But Mayer also describes the efforts ofunsung heroes, tucked deep inside the administration, who risked their careers in the struggle to balance the rule of law against the need to meet a threat unlike any other in the nation’s history.

THE FOREVER WAR
By Dexter Filkins.

The New York Times correspondent, whose tours of duty have taken him from Afghanistan in 1998 to Iraq during the American intervention, captures a decade of armed struggle in harrowingly detailed vignettes. Whether interviewing jihadists in Kabul, accompanying marines on risky patrols in Falluja or visiting grieving families in Baghdad, Filkins makes us see, with almost hallucinogenic immediacy, the true human meaning and consequences of the “war on terror.”

NOTHING TO BE FRIGHTENED OF
By Julian Barnes.

This absorbing memoir traces Barnes’s progress from atheism (at age 20) to agnosticism (at 60) and examines the problem of religion not by rehashing the familiar quarrel between science and mystery, but rather by weighing the timeless questions of mortality and aging. Barnes distills his own experiences — and those of his parents and brother — in polished and wise sentences that recall the writing of Montaigne, Flaubert and the other French masters he includes in his discussion.

THIS REPUBLIC OF SUFFERING
Death and the American Civil War
By Drew Gilpin Faust.

In this powerful book, Faust, the president of Harvard, explores the legacy, or legacies, of the “harvest of death” sown and reaped by the Civil War. In the space of four years, 620,000 Americans died in uniform, roughly the same number as those lost in all the nation’s combined wars from the Revolution through Korea. This doesn’t include the thousands of civilians killed in epidemics, guerrilla raids and draft riots. The collective trauma created “a newly centralized nation-state,” Faust writes, but it also established “sacrifice and its memorialization as the ground on which North and South would ultimately reunite.”

THE WORLD IS WHAT IT IS
The Authorized Biography of V. S. Naipaul
By Patrick French.

The most surprising word in this biography is “authorized.” Naipaul, the greatest of all postcolonial authors, cooperated fully with French, opening up a huge cache of private letters and diaries and supplementing the revelations they disclosed with remarkably candid interviews. It was a brave, and wise, decision. French, a first-rate biographer, has a novelist’s command of story and character, and he patiently connects his subject’s brilliant oeuvre with the disturbing facts of an unruly life.

图说081202

奥巴马的新政府班子正在逐步成形。这是他在新闻发布会上正式宣布他的以希拉里·克林顿为国务卿的国家安全领导小组成员。
接下来摆在奥巴马面前的,正如许多观察家所指出的那样,就是如何去界定恐怖主义、恐怖分子、和恐怖活动了。他还会还继续让关塔纳摩人满为患,成为人道主义的灾区吗?……

美国文学琐记【2008年11月】

1. 有相当长一段时间,托尼·莫里森(Toni Morrison)主要从事的是在大学的文学讲坛上给学生讲解美国文学,尤其是其中的American-Africanism。今年年尾终于又看到了莫里森的一部新小说A MERCY(《同情》姑且先这么译吧)的问世,着实让美国文学的爱好者们感到了一阵激动。A MERCY的故事背景比莫里森1987年的小说BELOVED还要早200多年。所以评论家们基本上把这部新作看着是BELOVED的序曲。评论家们对这部作品给予了很高的评价。

2. 在电子技术、个人电脑和网络如此发达的今天,还有人坚持不用电话,不用传真机,不用电脑,而是用一台70年代出品的打字机写作,那么她/他的特立独行可见一斑。现年61岁的小说家卡罗琳·秋特(Carolyn Chute)就是这样的一位特立独行者,美国的评论界把她称之为生活在小说中的作家。她和她的丈夫生活在丛林中的小木屋里,没有现代的各种电器相伴,甚至没有热水。虽然她的作品都被我们归为通俗一类,但是作家本人的生活倒是像小说一样吸引了人们好奇和关注。


【这是秋特女士和她的苏格兰牧羊犬在一起。她的新书里就描写会思考的苏格兰牧羊犬的故事】

3. 老实说,此前我对玛丽琳·弗格森(Marilyn Ferguson)一无所知。看到了有关这位作家的死讯的时候,才约略有一点了解。玛丽淋·弗格森于1980年出版的小说《宝瓶座阴谋》(The Aquarian Conspiracy)曾经被“新时代”(The New Age)运动奉为经典。在书中,弗格森指出,“没有领导地位但却非常强大的网络正在给美国带来巨大的改变。……网络的成员已经打破了西方思维中某些固有的关键的东西,他们甚至有可能打破历史的延续性”。这位被冠以“新时代”作家的玛丽琳·弗格森与世长辞了,享年70岁。不过我想她应该感到欣慰,因为她看到了她在作品所描绘的新时代至少已经初现端倪。


【Marilyn Ferguson:New Age Author】

New Age (新时代) 又指The Aquarian Age
(宝瓶座时代),西方神秘学认为现在是一个转型期,正准备进入「宝瓶座时代」。「宝瓶座」象征人道主义;人类由追求社会的、物质的、科技层面的进步,将演进到注重「心灵」、「精神」层面的探索,找到超越人种、肤色、民族、国籍以及宗教派别的人类心灵的共通点,认知人类的「同源性」和「平等性」,从而达成四海一家与和平的远景。

4. 约翰·莱昂纳德(John Leonard)是一位有着广泛影响的文化批评家,《纽约时报》的专栏作家。他以其广博的知识、敏锐的洞察力、和饱满的激情而享有盛誉。今年69岁的莱昂纳德在曼哈顿他的家中去世。


【这是莱昂纳德在1974年的照片】

他的主要著作包括:

  • The Naked Martini (1964)
  • Wyke Regis (1966)
  • Crybaby of the Western World (1969)
  • Black Conceit (1973)
  • This Pen for Hire (1973)
  • Private Lives in the Imperial City (1979)
  • The Last Innocent White Man in America (1994)
  • Smoke and Mirrors: Violence, Television, and Other American Cultures
    (1997)
  • When the Kissing Had to Stop: Cult Studs, Khmer Newts, Langley Spooks,
    Techno-Geeks, Video Drones, Author Gods, Serial Killers, Vampire Media, Alien
    Sperm Suckers, Satanic Therapists and Those of Us Who Hold a Left-Wing Grudge in the Post-Toasties New World Hip-Hop
    (1999)
  • Lonesome Rangers: Homeless Minds, Promised Lands, Fugitive Cultures
    (2002)

5. 一位颇有名气的作家兼教授被他的年轻的教务长很礼貌地请出了教授的讲坛(You know we all love you, Professor. Now get out of here.)。这是一个真实的故事,也是P. F. 克卢格(P. F. Kluge)的小说《没有明天》(Gone Tomorrow)的主要情节基础。这部作品主要描写了在大学里的一个特殊群体——作家兼教授——的生活故事。作家本人也是一位作家兼教授。


P. F. Kluge