Orange Prize及其他


1、年仅25岁的塞尔维亚裔美籍作家缇·奥布莱希特(Tea Obreht)的首部小说《虎妻》(The Tiger’s Wife)获得了2011年度的英国橘橙文学奖。奥布莱希特也成为获得该项殊荣的最年轻的作家。橘橙奖的奖金金额为3万英镑,奖励那些女性作品用英语创作的小说作品。相关评论,请点击这里这里,还有这里

2、塑造了“怪兽古肥猡”的童话作家朱莉娅·唐纳森(Julia Donaldson)成为新一任“童话大王(children’s laureate)”。这个称号每两年评选一次。荣誉获得者可获得1.5万英镑的奖励金。相关链接在这里

3、科恩获得一项西班牙文学最高奖,因其创作已经影响了三代人。。。

4、Hart also produced a number of West End plays, including Coward’s The Vortex and Iris Murdoch’s The Black Prince. Other bestselling novels include Sin, Oblivion, The Stillest Day and The Reconstructionist.

5、柯南·道尔的第一部小说即将出版.。。。

6、畅销书作家珍妮弗·沃斯去世……

精美GIF图欣赏

网络上的gif图很多。大多是些幽默搞笑的,或者是一些偶发事件的片段。最近看到一些非常唯美的gif图,其动静之处会让你的内心仿佛被轻轻拂动一般。很精致、很美妙的感觉。选几幅在这里与您共赏。【标题是我擅自添加的。也许不很合适。请多担待】

醇香无尽

心的荡漾

风轻意重

闹中取静

【以上这些都来源于“From Me to You.” 大家可以点击进入。一定会有很多惊喜发现。】

【转载】有关拉登的书籍盘点

从9·11至今,有关本拉登及其基地组织的书籍不断出现。现在,拉登终于被美国干掉了。不过,有关他的书籍估计还会层出不穷~~~

May 2, 2011, 3:15 pm

A Survey of Books About Osama bin Laden and Al Qaeda

By MICHIKO KAKUTANI

Since 9/11, there has been an outpouring of books about Osama bin Laden, Al Qaeda, the Sept. 11 attacks and the war in Afghanistan. Below is an annotated list of some of the more useful ones.
Some of these books are primarily concerned with giving the reader a bildungsroman-like account of Bin Laden’s transformation into a charismatic leader from a callow young man who “couldn’t lead eight ducks across the street,” as Prince Bandar, the former Saudi ambassador in Washington, once said. They underscore the unresolved Oedipal problems (not unlike those of George W. Bush) that he had with his powerful and wealthy father, while exploring the role that older mentors played in his growing radicalization.

“The Bin Ladens,” by Steve Coll, also adds new details to our understanding of how the young Bin Laden evolved from a loyal family adjutant into an angry black sheep lashing out at some of the very connections his father and brothers had cultivated in their business dealings for years.

An earlier book by Mr. Coll, “Ghost Wars” (2004), traveled back in time to explore the role the C.I.A. played in the anti-Soviet jihad in Afghanistan in the 1980s, and how America’s abandonment of that country after the Soviet withdrawal left behind a chaotic land with heavily armed, feuding warlords: conditions that created a perfect environment for the rise of the Taliban and Al Qaeda. Jonathan Randal’s “Osama” and Michael Scheuer’s “Osama bin Laden” also examine America’s unwittingly role in the ascendance of these radical groups.

As for the American invasion of Iraq in 2003, most of these books agree that it was a terrible misstep that played into Bin Laden’s hands, fueling Qaeda recruitment efforts and diverting critical military and intelligence resources away from Afghanistan, which in turn led to the resurgence there of the Taliban. Peter L. Bergen’s new book, “The Longest War,” provides a devastating indictment of the Bush administration on many levels, from its failure to heed warnings about a terrorist threat, to its determination to conduct the war in Afghanistan on the cheap, to its costly, unnecessary and inept occupation of Iraq.

Both “The Longest War” and Lawrence Wright’s “Looming Tower” give readers a visceral sense of what day-to-day life was like in Qaeda training camps. Mr. Wright, noting that Bin Laden was not opposed to the United States because of its culture or ideas but because of its political and military actions in the Islamic world, observes that Qaeda trainees often watched Hollywood thrillers at night (Arnold Schwarzenegger movies were particular favorites) in an effort to gather tactical tips.

Mr. Bergen, for his part, observes that Al Qaeda became a highly bureaucratic organization with bylaws dealing with matters like salary levels, furniture allowances and vacation schedules.
“The Looming Tower” and “The Bin Ladens,” among other books, suggest that Bin Laden’s turn to war against the United States was not inevitable: bad luck, events in his life, politics in Saudi Arabia and neighboring countries, decisions made by the United States government and absurd turf wars between the C.I.A. and F.B.I. all contributed to Al Qaeda’s pulling off the Sept. 11 attacks. During the period when he was living in the Sudan, Mr. Wright says, Bin Laden “was wavering — the lure of peace being as strong as the battle cry of jihad”: agriculture “captivated his imagination,” and he reportedly told friends he was thinking of quitting Al Qaeda and becoming a farmer. The continuing presence of American troops in Saudi Arabia (after the first gulf war), however, angered Bin Laden, and the movement of American troops into Somalia in √1992 (on a humanitarian relief mission) made Al Qaeda feel increasingly encircled. In meetings held at the end of 1992, Mr. Wright says, the group “turned from being the anti-Communist Islamic army that Bin Laden originally envisioned into a terrorist organization bent on attacking the United States.”

THE LONGEST WAR: The Enduring Conflict Between America and Al-Qaeda (2011). By Peter L. Bergen. This volume by CNN’s national security analyst provides a succinct overview of the war on terror, giving the reader a sharply observed portrait of Bin Laden, whom Mr. Bergen interviewed in 1997, and an intimate understanding of how the organization operates on a day-to-day basis. Mr. Bergen argues that Bin Laden over-reached with the 9/11 attacks and that Al Qaeda has a growing list of enemies including Muslims who don’t share its “ultra-fundamentalist worldview.” The book also provides a harrowing account of Bin Laden’s escape from American forces at Tora Bora in December 2001, after the C.I.A.’s request for more troops was turned down by the Pentagon.

OSAMA: The Making of a Terrorist (2004). By Jonathan Randal. This book by a former Washington Post correspondent is less a biography of Al Qaeda’s mastermind than a history of the contemporary jihadi movement, which Mr. Randal argues was inadvertently strengthened by American hubris, ignorance and missteps in the Middle East and Persian Gulf. Mr. Randal chronicles Bin Laden’s combat experiences as an anti-Soviet jihadi, his growing radicalization and the role that various mentors and surrogate father figures played in his evolution.

THE BIN LADENS: An Arabian Family in the American Century (2008). By Steve Coll. In this family epic, Mr. Coll, a Pulitzer Prize-winning author, creates a psychologically detailed portrait of Bin Laden and his relationships with his father, Muhammad, who made a fortune in Saudi Arabia as the king’s principal builder; and his older brother Salem, a British-educated, music-loving playboy, who used to organize family expeditions to Las Vegas. Mr. Coll suggests that Bin Laden’s turn to war against the United States was not inevitable, but the result of many factors. Those included his worsening relationships with the Saudi royal family and his own relatives as well as growing anger at America, which had pressured the government of Sudan to expel him from the country (where he raised horses and sunflowers on a farm while training jihadis) and send him into exile in Afghanistan in 1996.

HOLY WAR, INC.: Inside the Secret World of Osama bin Laden (2001). By Peter L. Bergen. In an early study of Al Qaeda, this CNN analyst emphasizes the crucial role that the Afghan-Soviet conflict played in radicalizing many Islamic militants in the 1980s, giving fighters like Bin Laden the confidence that they could defeat a superpower and replacing the notion of Arab nationalism with that of a larger Islamist movement. Mr. Bergen argues here that Bin Laden’s anger at the United States has little to do with Western culture — say, movies or drug and alcohol use — but rather stems from American policies in the Middle East, namely “the continued U.S. military presence in Arabia; U.S. support for Israel; its continued bombing of Iraq; and its support for regimes such as Egypt and Saudi Arabia that bin Laden regards as apostates from Islam.”

OSAMA BIN LADEN (2011). By Michael Scheuer. Mr. Scheuer, who once headed the C.I.A.’s Osama bin Laden unit, dissects the puritanical religious views that informed Bin Laden’s thinking. As he did in earlier books like “Imperial Hubris,” Mr. Scheuer contends that Bin Laden was not an irrational terrorist, but a shrewd strategist and tactician who wanted to lure the United States into a financially draining quagmire in the Middle East. He regards the American invasion of Iraq in 2003 as a recruiting bonanza for Al Qaeda and a great gift for Bin Laden.

THE LOOMING TOWER: Al-Qaeda and the Road to 9/11 (2006). By Lawrence Wright. Based on more than 500 interviews, this book gives readers a searing view of the events of Sept. 11, 2001, and how that tragic day came about. Mr. Wright, a writer for The New Yorker, suggests that the emergence of Al Qaeda “depended on a unique conjunction of personalities” — that is, Bin Laden, whose global vision and charismatic leadership would hold together the organization; and his deputy Ayman al-Zawahri, who promoted the apocalyptic idea that only violence could change history. In Mr. Wright’s account, we see how a shy young Osama bin Laden, who loved the American television series “Bonanza,” became a solemn religious adolescent, and how under the Machiavellian tutelage of Mr. Zawahri, he grew increasingly radicalized.

IN THE GRAVEYARD OF EMPIRES: America’s War in Afghanistan (2009). By Seth G. Jones. This book by an adjunct professor at Georgetown University charts several decades of relations between the United States and Afghanistan, focusing on what went awry after America’s successful routing of the Taliban in late 2001. Mr. Jones blames the invasion of Iraq for diverting resources and attention from the war in Afghanistan, and notes that as the situation deteriorated, there was a spillover effect in Pakistan, which offered a haven to many Taliban and Al Qaeda fighters. Among Mr. Jones’s conclusions is that the United States must “persuade Pakistani military and civilian leaders to conduct a sustained campaign against militants mounting attacks in Afghanistan and the region” and threatening the foundations of “the nuclear-armed Pakistani state.”

GHOST WARS: The Secret History of the CIA, Afghanistan, and bin Laden, From the Soviet Invasion to September 10, 2001 (2004). By Steve Coll. Mapping the long, mistake-filled road to 9/11, this book examines the C.I.A.’s covert role during the Soviet occupation of Afghanistan in the 1980s and America’s later neglect of the country during the post-cold war ’90s, when the Taliban and Al Qaeda took advantage of the political vacuum. Mr. Coll chronicles the failures of both the Clinton and Bush administrations to mount a serious attack on Al Qaeda and to implement a coherent counterterrorism strategy.

【书评转载】The Paris Wife

以下书评文章转自《华盛顿邮报》:

Paula McLain’s ‘The Paris Wife’: A novel about Hemingway’s first wife

By Donna Rifkind (a writer in Los Angeles)

Paula McLain’s historical novel about Ernest Hemingway’s first marriage has been climbing up the best-seller lists as steadily as reviewers have been dismissing it. The Los Angeles Times called the book “a Hallmark version” of Hemingway’s Paris years, hampered by “pedestrian writing and overpowering sentiment.” The New York Times concurred, calling Hemingway’s wife Hadley “a stodgy bore” and McLain’s prose cliche-ridden and plodding. So who’s right: enthusiastic book-buying audiences or unsympathetic critics?

Score one for the consumers. “The Paris Wife” is a richer and more provocative book than many reviewers have acknowledged. What they call cliches are simply conventions that all historical novels share, including Nancy Horan’s “Loving Frank,” the acclaimed best seller that McLain’s book superficially resembles. And “The Paris Wife” is a more ambitious effort than just a Hallmark version of Americans in Paris. It’s an imaginative homage to Hadley Richardson Hemingway, whose quiet support helped her young husband become a writer, and it gives readers a chance to see the person Hemingway aspired to be before fame turned him into something else.

Building her fictional but scrupulously true-to-life narration around many source materials, including two full-length biographies of Hadley as well as Hemingway’s posthumous memoir, “A Moveable Feast,” McLain begins by dramatizing how damaged Ernest and Hadley were by the time they met in Chicago in 1920. Hadley’s father had killed himself in their St. Louis home when she was 13, a grim foreshadowing of Ernest’s father’s suicide and, decades later, Ernest’s own. She had also mourned the deaths of a beloved older sister and her mother.

Ernest, who had been seriously wounded in Italy during the Great War while a teenager, was suffering from the shaking nightmares and depression that today we call post-traumatic stress disorder and was then known as shell shock. This early brush with death had a profound influence on much of Hemingway’s future behavior and on all the fiction he wrote. McLain is right to underscore it, along with Hadley’s abundant sympathy for his suffering, with compassionate sensitivity.

Ernest and Hadley were down when they met, but they weren’t out. He was 21 and burning to be a writer. She was 28 and yearning to be a wife. They fell hard for each other. If the novel’s beginning sections stumble over a few expository bumps (Hadley: “What do you mean to do?” Ernest: “Make literary history, I guess.”), the narrative finds its flow a few months after the couple’s wedding, when they make their way to Paris. Hadley’s impressions of the city — dirty, war-shocked, tawdry and raw — stand out against Ernest’s instantaneous delight, though in time she came to appreciate “the oddity and the splendor.”

There was no doubt that here, on the cheap, Ernest was able to make Paris his informal university. Here he could learn from working-class Parisians as well as expatriate intellectuals, many of whom — notably Ezra Pound and Gertrude Stein — served as mentors who helped him forge a blazingly new way to write fiction. He could study the Cezannes at the Musee du Luxembourg, figuring out how to translate the depths of their purity into language. And he could devote long, arduous hours to writing in cafes and garrets, knowing that Hadley, who hoped for his success as fervently as if it were her own, would be waiting for him soothingly at home.

Like all perfect setups, this one would not last. The tale of its ruin is familiar, but it gains freshness from Hadley’s point of view. With his first flush of literary notoriety, Ernest cast off his mentors, alienating them with a self-sabotaging viciousness that became a lifelong habit. At the same time, his social circle widened to include a recklessly modern new crowd, including Scott and Zelda Fitzgerald, Duff Twysden — the model for Lady Brett Ashley in “The Sun Also Rises” — and Sara and Gerald Murphy. Their high-life bohemianism threatened Hadley, who was by now happily if squarely encumbered with a baby son. Then, in a still-sickening betrayal, Ernest engineered an exit from his marriage by conducting a prolonged, open affair with Hadley’s friend Pauline Pfeiffer, the perilously chic Vogue staffer who became the second of his four wives.

McLain writes about Hadley’s pain during the death throes of her marriage with a terrible delicacy, suitable for this modest, steadfast woman who was nobody’s fool. (It’s clear that the author knows plenty about abandonment: Her 2003 memoir, “Like Family,” is a scorchingly frank reminiscence of growing up in foster homes in the 1970s.) At a low point, when Ernest, Hadley and Pauline are vacationing together in southern France, Hadley takes note of their three bicycles on a rock path. “You could see just how thin each kickstand was under the weight of the heavy frame, and how they were poised to fall like dominoes or the skeletons of elephants,” she says. Hemingway fans will not fail to remember the haunting image in his story “The Snows of Kilimanjaro” when death approaches “in pairs, on bicycles, and moved absolutely silently on the pavements.”

Fame turned Hemingway into a self-crafted legend, an archetype and finally a parody. He was, as Joseph Epstein wrote in The Washington Post in 1970, “the first of the American writers we came to know too well.” Part of McLain’s accomplishment in this origin story is to make us look again at the Paris husband behind the Paris wife; not at the mythical swaggering Papa, but at the young, death-consumed writer who became a poet of death, who invented a new language to bring it to life, and whose brute emotional literary power will not be dismissed.

2011普利策奖揭晓

4月18日星期一,2011年各项普利策奖评奖结果揭晓。

《纽约时报》(The New York Times)获得了普利策经济评论奖和有关俄罗斯的新闻报道奖;《洛杉矶时报》(The Los Angeles Times)获得了普利策公众服务奖和摄影配图奖。

这次由哥伦比亚大学主持评审的普利策奖获奖者范围较广,而不像前两年那样都集中在一两家报纸或者出版社上。

这次还破天荒地颁奖给了一个没有正是出版发行的一份新闻报道: ProPublica’s series “The Wall Street Money Machine” .

此外,《华尔街论丛》( The Wall Street Journal)自2007年被默多克(Rupert Murdoch)收购以来首获大奖:约瑟夫·雷戈( Joseph Rago)获普利策编辑奖。

供职《华盛顿邮报》的卡萝尔·古琦(Carol Guzy)再获普利策摄影奖。她成了第一位四获普利策奖的新闻工作者。这次她和尼基·卡恩(Nikki Kahn)以及里奇·卡里奥蒂(Ricky Carioti)一起分享了今年的普利策摄影奖。

普利策奖包括13个新闻类奖项以及7个艺术类奖项。

今年的7个艺术类获奖者分别是:
普利策小说奖颁给了珍妮弗·艾根(Jennifer Egan)的 “A Visit From The Goon Squad”;
布鲁斯·诺里斯(Bruce Norris)的戏剧 “Clybourne Park” 获得了普利策戏剧奖;
普利策历史奖颁给了诶里克·冯纳(Eric Foner)的 “The Fiery Trial: Abraham Lincoln and American Slavery”;
荣·切尔诺(Ron Chernow)的 “Washington: A Life”获得了普利策传记奖;
周龙(音译)的《白娘子》(“Madame White Snake”)获普利策音乐奖。
普利策诗歌奖颁给了凯伊·瑞恩(Kay Ryan)的“The Best of It: New and Selected Poems”;
普利策非虚构类奖颁给了希德哈尔塞·穆克赫尔吉(Siddhartha Mukherjee)的 “The Emperor of All Maladies: A Biography of Cancer”;

原文链接点这里